Calendar
Programmes
With exhibitions, talks, readings, films and educational programmes, our programmes create spaces for encounters, exchange and new perspectives. Various programme series connect the history of exile from 1933 to 1945 with questions of our time and invite visitors to reflect on democracy, belonging and social cohesion.
From Here – Fasanenstraße and Exile

With the exhibition "From Here," the Exilmuseum begins to engage with the building, the street and the neighbourhood in which it is being created. We are collecting the stories of people who once lived here and who, persecuted by the National Socialists, had to flee into exile. Visitors are invited to share their knowledge about people from the street and thus contribute to the ever-growing collection.

Embassies of Exile

Life in exile is always connected to at least two countries. This international perspective shapes the Exilmuseum. For the programme "Embassies of Exile", it works with embassies in Germany and abroad. This creates new partnerships and a global network.

The series focuses on largely overlooked figures from the arts, literature and academia who found refuge from the National Socialists in the respective partner country. Each event is individually conceived, whether as a lecture, reading, concert, film screening or conversation with descendants.
The events take place at various locations in Germany and abroad: at the embassies themselves, in cultural institutions, academic institutions or at the Exilmuseum.

The programme was developed by Ruth Ur and Thomas Sparr. It is funded by the Berthold Leibinger Stiftung.

Education and Mediation

The Exilmuseum sees educational outreach as one of its central tasks and as an essential part of its social responsibility. Drawing on the experiences of people who fled Germany between 1933 and 1945 to escape National Socialism, the museum opens up spaces for historical learning, critical engagement and shared reflection on the present.

Our education and outreach programmes are aimed at people of all age groups, with different experiences and perspectives. Workshops, guided tours and participatory formats create opportunities to acquire knowledge, develop questions and enter into dialogue with one another. The education programme is continuously expanded and developed further.

At the ruins

In 2025, the Exilmuseum Foundation launched a new exhibition series featuring artistic installations at the ruins of the portal to the historic Anhalter Bahnhof. The installations engage with the site and its history, while also bringing the concept of exile from history into the present. The projects aim to strengthen Anhalter Bahnhof as a vibrant place of remembrance and culture.

The series is kindly supported by Deutsche Bahn AG and the Heinz
and Heide Dürr Foundation.

I Don't Have Another Land

Art installation by Nathan Coley

at Anhalter Bahnhof

Photo: Dean Gold © Stiftung Exilmuseum

The illuminated textual sculpture “I Don’t Have Another Land” is based on graffiti that Nathan Coley discovered in Jerusalem in the mid-2000s. The striking sentence is deliberately left open: on the one hand, it refers to the historical significance of its location; on the other, it can also be read as a commentary on current questions of belonging and identity. Precisely because the sculpture invites different interpretations, it is particularly suited to sparking a conversation about history and the present.

“I am delighted that we can present Nathan Coley’s famous artwork I Don't Have Another Land in Germany for the first time, especially at a place that stands for exile and deportation during National Socialism. The installation raises urgent questions about belonging and social responsibility—issues that are more relevant today than they have been for a long time.”
Ruth Ur, Director of the Exilmuseum

At the Ruin

With Coley’s work, the Exilmuseum Foundation is launching a new exhibition series of artistic installations at the portal ruins of Anhalter Bahnhof, engaging with the site and its history whilst bringing the concept of exile out of history and into the present. The series “At the Ruin” aims to strengthen this historical site as a vibrant place of remembrance and culture. This is made possible through the generous support of Deutsche Bahn AG and the Heinz and Heide Dürr Foundation.

<p>Nathan Coley</p>
Nathan Coley, Photo: © Nathan Coley

The artist

Nathan Coley (born 1967 in Glasgow) is known internationally for works that use public space as a resonant space for social issues.

His works have been exhibited worldwide, including at Tate Modern in London, Kunstverein Freiburg and the Scheepvaartmuseum Amsterdam. In 2007, Coley was nominated for the Turner Prize. He lives and works in Glasgow.

The work “I Don’t Have Another Land” was first displayed in Charleston in the South of England, the former studio and home of the artists Vanessa Bell and Duncan Grant. In 2023, it was installed on the façade of Eastbourne City Library, where it faced the English Channel. In 2025, the work was shown in Prizren, Kosovo, a place with a turbulent military history that was also a Bundeswehr base until a few years ago.

With the generous support of

Partner